Audiences are becoming more and more difficult to please, as films endure the comments of "seen that! Hollywood, in particular, is being seen as producing films that are "commercial, aimed at a mass market, ideologically and aesthetically conservative, and more imbued with the values of entertainment and fantasy rather than realism art or serious aesthetic stylization" Neale,p. Though both artistically and aesthetically beautiful with their use of dialogue and images, and nothing short of entertaining, Mulholland Drive and Eternal Sunshine of the Spotless Mind still present techniques and themes done by cinematic greats before them. This idea of Film as artwork was a revolutionary thought.
Audiences are becoming more and more difficult to please, as films endure the comments of "seen that! Hollywood, in particular, is being seen as producing films that are "commercial, aimed at a mass market, ideologically and aesthetically conservative, and more imbued with the values of entertainment and fantasy rather than realism art or serious aesthetic stylization" Neale,p.
Though both artistically and aesthetically beautiful with their use of dialogue and images, and nothing short of entertaining, Mulholland Drive and Eternal Sunshine of the Spotless Mind still present techniques and themes done by cinematic greats before them.
In the 's Russian Filmmakers such as Sergei Eistenstien and Dziga Vertov began exploring film as not only a mechanical production of realism but instead as a medium of for exploring and transforming reality. This idea of Film as artwork was a revolutionary thought.
Russian Film Formalists developed camera editing techniques to produce the principle of montage and visual juxtaposition, to reflect different perspectives of reality that would engage the opinions and emotions of audiences. W Griffith, an early American film director was also making history as he integrated parallel action, cross-cutting, multiple camera angles and shots such as the "close up" into mainstream directing.
The peak of Industrialism in the Modern Age meant that there was growing technologies available to make moving pictures, and a new emergance of wealth and a "middle class" saw more people gaining time for leisure at a disposable income.
Film was the ultimate entertainment response to these facts of Industrial, Modernist life. Of course as the hype of Industrilisation subdued and a Postmodernist Age reigned, so to did the ideals of mass-popular culture and consumer capitalism.
Hollywood is responsible for manufacturing the "star" and for also creating the classic Hollywood genres- the western, the gangster film, the musical, the horror film, melodrama, comedy, romance and the like. Hollywood today still generates the bulk of international film revenue.
Essentially all films repeat the classic beginning-middle-climax-resolution narrative structure, and in some way reflect one or more of the above genres.
In today's film industry, a film must fit a recognisable genre, have a recognisable structure and ideally star recognisable, "star" actors or actresses to achieve audience popularity and in turn financial success.
David Lynch's Mulholland Drive presents characters and underlying themes that seek to directly parody and paraphrase Hollywood. It seeks to break away from the linearity of narrative structure, leaving audiences instead with "a frenzied rush of imagery, events and faces, all of which seem to work back to the film's beginning, middle or end" Thill,p.
Lynch is famous for leaving everything up to individual interpretation, stating that "sometimes intellect can get in the way, sometimes you just have to turn off and let everything come out" Thill,p. Lynch with Mulholland Drive does as Featherstonepp.
In Mulholland Drive, Betty, a cookie-cutter blonde beauty arrives in Hollywood as an aspiring young actress. Her happy grandparents lend her their apartment as she seeks out auditions for roles in movies.
|Graduate level courses (2100 - 2990)||While satire has been a part of cinema since its inception, from The Great Dictator to Dr Strangelove, it has by no means faltered since the turn of the century.|
|Mercer Union | ORIGINALITY AND THE AVANT GARDE (ON ART AND REPETITION)||Upon watching the entire movie, I was left with an impression that "one cannot have everything in life". There will always be choices to make and something must always be let go, even if it is difficult and painful.|
She finds Rita, an amnesiac, taking refuge in her apartment after a traumatic event. Together they seek to find links to her true identity and this unremembered traumatic event. This first part of the film is parallelled with other stories of an assassin ation, a man seeking pyscho-analysis of his dreams and a director being bribed by a Hollywood studio.Originality and Repetition in Contemporary Cinema.
Originality and Repetition in Contemporary Cinema It seems that the innovation of Contemporary Cinema has come to a stand still. Originality and the Avant Garde (On Art and Repetition): Interview with Annie MacDonell.
By Joan Lillian Wilson. Annie MacDonell is a Toronto-based artist working in photography, film, sculpture, installation and sound. She holds degrees from Ryerson University in Toronto, and Le Fresnoy- Studio National des Arts Contemporains in France.
One plausible way of thinking about Wong Kar-wai's cinema is to see each of his films as a new departure. This characterization would fit a conventional idea of originality: constant innovation and development, together with a refusal to repeat what went before. Repetition and variation define contemporary cinema texts.
Media producers create multiple “cuts” of the same picture for domestic/international theater, television and home video markets. Meanwhile, consumers use new technologies to create their own textual variations and share them using informal distribution channels.
Epicurus The Importance Of Originality In Fashion Unethical Works, Unethical People Originality and Repetition in Contemporary Cinema The Aesthetics of Pop Music Aesthetics Aristotle, Happiness and the Human Good Life, Liberty, and the Pursuit of Epicurean Philosophy - A brief discussion on how to achieve happiness while denying the grip of.
Nov 20, · After the claustric, faked spaces in Repetition, this Repetition is shot entirely on location. Everywhere, indoors or out, is a blank, green-brown desolation.
Everywhere, indoors or out, is a blank, green-brown desolation.