Although many of those names were the lynchpin of new storytelling success for the decade, the 70s had many great films that also tapped into the rebel spirit of the new auteurs without continuing to receive a classic shine. To create this initial list, I just had one criteria:
He was one of the few filmmakers in the history of the Academy Awards to be nominated for directingacting, and writing awards. Early work Cassavetes was the son of Greek immigrants. He grew up on Long IslandNew York. He studied English at Mohawk College and Colgate University before becoming an acting student at the American Academy of Dramatic Arts, from which he graduated in He began his acting career in earnest with a small role in the motion picture Taxi and an appearance on television the next year in an episode of Omnibus.
By the end ofhe had acted in many live television shows. That year he also began teaching a Method acting class. The older brother, a jazz musician played by Hugh Hurdencounters greater racial discrimination than his lighter-complected younger sister who dates white men and brother.
The film was first shown to a few audiences in November and was exhibited again about a year later after the addition of some new scenes and reediting. When Cassavetes could not find an American distributor for the film, he entered it in the Venice Film Festivalwhere it won the Critics Award.
After it finally received distribution in the United States incritics were effusive in their praise of Shadows, which is generally acknowledged to have inaugurated the American independent filmmaking movement. Fresh from the success of Shadows, Casssavetes signed with Paramount to produce and direct Too Late Bluesanother downbeat film about a jazz musician, this time with teen singing idol Bobby Darin as the leader of a jazz combo waiting for its big break.
Although critics liked Stella Stevens in her role as the love interest, they generally found the rest of the performances wanting.
Nevertheless, Paramount gave Cassavetes a multifilm contract, which he subsequently broke in the interest of gaining greater creative autonomy. Burt Lancaster played a psychologist and Judy Garland a new teacher who disagree in their approaches to working with developmentally challenged children.
He was determined to make motion pictures grounded in character development that would depict real-life situations with real-world consequences. He also was committed to involving the cast and crew in an organic improvisatory process.
No matter how dark his subject matter, he was also not beyond punctuating the proceedings with humour. Faceswhich Cassavetes wrote in and shot in black and white instarred John Marley and Lynn Carlin as a husband and wife facing a split after 14 years of marriage.
Originally six hours long, the film was painstakingly edited down over the next two years to slightly more than two hours and released in to rave reviews.
Cassavetes received an Academy Award nomination for his screenplay, and Carlin and Cassel were nominated as best supporting actors. As a director, Cassavetes was a master at dramatizing marital problems. For Husbandshis first colour mm effort, he assembled his first high-profile cast.
Peter FalkBen Gazzaraand Cassavetes himself portrayed a triumvirate of suburban husbands who, shocked by the sudden death of a friend, treat themselves to a spree of boozing, basketball, and sex that includes a quick trip to London.
The modest commercial success of Husbands helped Cassavetes secure a deal with Universal to make Minnie and Moskowitz Cassel played a slightly demented parking-lot attendant with a crush on a museum curator Rowlandswho is trying to pull herself together after being dumped by her married lover Cassavetes.
Moreover, it earned Cassavetes his only Academy Award nomination for best director. It seemed as if Cassavetes had beaten the system: Cassavetes was less sure-footed when he ventured into genre filmmaking with the crime drama The Killing of a Chinese Bookiein which Gazzara played the debt-ridden owner of a strip joint forced by the mob to commit a murder.John Cassavetes, (born December 9, , New York, New York, U.S.—died February 3, , Los Angeles, California), American film director and actor regarded as a pioneer of American cinema verité and as the father of the independent film movement in the United States.
50 Greatest Independent Films: Empire Magazine, a decidedly pro-British film magazine, offered their picks for the bravest, most innovative, and most creative films - the "ultimate indie lineup" of 50 of the best non-studio works ever leslutinsduphoenix.comptions of choices for the 50 Greatest Independent Films are excerpted below from the Empire Magazine website.
The Films of John Cassavetes: Pragmatism, Modernism, and the Movies is the first book to tell in detail the story of a maverick filmmaker who worked outside the studio leslutinsduphoenix.coms: John Cassavetes: Five Films John Cassavetes was a genius, a visionary, and the progenitor of American independent film, but that doesn’t begin to get at the generosity of his art.
A former theater actor fascinated by the power of improvisation, Cassavetes brought his search for . Greatest Film Directors of All-Time: These honored selections are designed as a tribute to some of the greatest directors of predominantly English-language films, with suggested or recommended Best Films or 'Must-See' Films from their filmographies..
Unfortunately, some very talented directors have been pushed aside (50 is a limiting number), but it . John Q è un film del diretto da Nick Cassavetes, interpretato da Denzel Washington.. Trama.
John è un operaio di fabbrica che per la crisi economica passa un brutto periodo, la macchina della moglie gli viene tolta dalla banca, tuttavia la famiglia continua ad essere serena e felice.